I have started a new series called Iconic Study. For this series I ask an artist that I have been working with for awhile and ask them to sort of tell what is hard or easy about the chosen Iconic. For the first study I have chosen Seoni and enlisted
Craig J Spearing to write about his experiences in drawing and redrawing one of our more famous character.
Finding Seoni
by Craig J Spearing
Depicting Seoni is a double-edged sword. The one aspect that makes it easier than some of the other Pathfinder Iconics is also the aspect that makes it more difficult. Simply put: she ain't wearin' much. Her attire certainly isn't as revealing as many other fantasy femme fatales, but compared to the wonderfully extravagant costuming on most Wayne Reynolds characters, it's downright minimal. With the exception of a few thin straps, her sides are completely exposed from her knees to her shoulders. She's also very busty, and the material covering her chest would easily fit into a Ziplock™ sandwich bag. This is not a complaint -- quite the opposite. The first time I was assigned Seoni, I happily exclaimed: "Yippie! Time to paint some boobs!"

However, to illustrate Seoni as a capable adventurer and powerful sorceress without stumbling into the pitfalls of "pin-up girl" can be rather difficult. A couple methods to prevent her from looking like a pin-up are by giving her a strong stance and avoiding overly provocative poses. Another approach is to draw focus to her abilities, one hand (or both) crackling with arcane energy makes her visually say: "Seriously fellas, you do NOT want to piss me off". I also tend to make her costuming slightly more covering than the reference, particularly when viewed from behind.

My favorite parts of the minimal attire are the costume elements that flow off the figure. Whipping the long braids and cloth belts around her, and blowing the waist cloth back help to give her a sense of movement. I picture her moving with the fluid grace of a ballerina, or River Tam in Serenity. Despite my aversion to drawing knees, it's always a joy to paint Seoni (Why Wayne? Why couldn't you have made those leg gaiters go up over her knees?). She's become almost real to me, which is a lot less weird than it sounds.
Craig graduated from the Rhode Island School of Design in 1992, and illustrated children's material from 1995 to 2008. He is currently doing digital science fiction/ fantasy illustration for clients like Paizo and Wizards of the Coast. He lives in Portland Oregon.